"New Collection," December 1 - March 2, 2008, organized by Voorkamer, Stedelijk Museum Wuyts-Van Campen en Baron Caroly, Lier, Belgium.
"Bilingual," October 29 - January 11, 2008, Glass Curtain Gallery, Columbia College, Chicago, IL.
Anamorphic carpet multiple now available at Art Ware Editions and at ABC carpets. Produced in partnership with the Art Production Fund.
P.R.O.W.: a series of collaborative projects with Olav Westphalen. (coming soon...)
| Born 1970, St. Petersburg, Russia | |
| Education | |
| 1995-1996 | Whitney Museum Independent Study Program: Studio |
| 1991-1995 | B.F.A. Cornell University |
| 1991-1995 | B.A. Cornell University |
| 1990-1991 | Parsons School of Design |
| Grants and Fellowships | |
| Public Art Fund, 2000 | |
| Artists at Giverny Fellowship, 2003 | |
| Solo Exhibitions | |
| 2006 | Landscape for Another, The Project, New York, NY |
| 2004 | Peter Rostovsky, Hudson Showroom, ArtPace, San Antonio, TX |
| Deluge, The Project, New York, NY | |
| 2003 | Peter Rostovsky/Kori Newkirk, The Project, Los Angeles, CA |
| 2002 | Thriller, Galleria Maze, Turin, Italy |
| 2001 | Peter Rostovsky, The Project, New York, NY |
| Anonymous, James Harris Gallery, Seattle, WA | |
| 1999 | Peter Rostovsky, The Project, New York, NY |
| 1995 | Peter Rostovsky, Olive Tjaden Gallery, Ithaca, NY |
| Selected Group Exhibitions | 2007 | Bilingual, Glass Curtain Gallery, Columbia College, Chicago, IL. |
| New Collection, a project by Voorkamer, Stedelijk Museum Wuyts-Van Campen en Baron Caroly, Lier, Belgium. | |
| Stranger than Paradise, curated by Max Henry, Gelerie Charlotte Moser, Geneva, Switzerland. | |
| Of the Painted Image: Miriam Cabessa, Seth Cohen, Peter Rostovsky, American Jewish Museum, Pittsburg, PA. | Places, Luxe Gallery, New York, NY. |
| Divine Find, curated by Lauren Ross, Stonefox Artspace, New York, NY. | |
| Birds, Dwight Hackett Projects, Santa Fe, NM. | |
| 2006 | American Academy Invitational Exhibit of Painting and Sculpture, American Academy of Arts and Letters, New York, NY |
| 2005 | Studio Visit, Exit Art, New York, NY |
| Dark Places, curated by Joshua Decter, Santa Monica Museum of Art, Santa Monica, CA | |
| Blindness, curated by Valeska Soares, Dwight Hackett Projects, Santa Fe, NM | |
| Expanding Paint/Exceeding Painting, Pratt Manhattan Gallery, New York, NY | |
| Greater New York 2005, PS1 MOMA, New York, NY | |
| 2004 | Disturbing the Peace, Danese, New York, NY |
| Lewis & Clark Territory: Contemporary Artists Revisit Place, Race, and Memory, Tacoma Art Museum, Tacoma, WA | |
| 2003 | Intravention, Museum Amstelkring, Amsterdam, Nederlands |
| Superreal, curated by Lauri Firstenburg, Marella Contemporenea, Milan, Italy | |
| Grazie, curated by Jan Hoet, Castle Schloss Dyck, Dusseldorf, Germany | |
| Giverny, Salon94, New York, NY | |
| Prague Biennale, Prague, Czech Republic | |
| Nature Boy, Elizabeth Dee Gallery, New York, NY | |
| City Mouse/Country Mouse, Space 101, Williamsburg, Brooklyn | |
| Labor Day, curated by David Hunt, Rare Gallery, NY, | |
| MetroSpective, Public Art Fund, City Hall Park, New York, NY | |
| 2002 | Painting Against the Grid, ICA Philadelphia, Philadelphia, PA |
| 2001 | Maria Elena González, Paul Pfeiffer and Peter Rostovsky, |
| Gio Marconi, Milan; Galleria Maze, Torino; and Sala Uno, Rome, Italy | |
| Casino 2001, Curated by Jeanne Greenberg and Jan Hoet, SMAK, Ghent, Belgium | |
| Brewster Project, Site Specific Project, Brewster, NY | |
| 2000 | Halcyon Days: New Commissions from the Public Art Fund, MetroTech Commons Brooklyn, NY |
| Glenn Brown, Julie Mehretu and Peter Rostovsky, The Project, New York, NY | |
| Rauma Biennale Balticum, Rauma, Finland | |
| Summer Exhibition, Goldman Tevis, Los Angeles, CA | |
| 1999 | Untold Stories, DeChiara/Stewart, New York, NY |
| Outer Boroughs, White Columns, New York, NY | |
| Where Are All the People?, DeChiara/Stewart, New York, NY | |
| Paradise 8, Exit Art , New York, NY | |
| 1998 | warming, The Project, New York, NY |
| Local color, The Henry Street Settlement, New York, NY | |
| 1997 | Exchange, 57 Hope Street, New York, NY |
| Framed, OR Gallery, Vancouver, B.C. | |
| 1996 | Message Please, Spot Gallery, New York, NY |
| Unreal, 57 Hope Street, Brooklyn, NY | |
| Substituting 'Raschachismo' for Mimesis, Project Room, Spot Gallery, New York, NY | |
| Summer Carnival, Eighth Floor Gallery, New York, NY | |
| Whitney Independent Study Program Open Studio, Whitney Program, New York, NY | |
| Bibliography | |
| Hiroshi Tanabe, "Peter Rostovsky," The New Yorker, June 12, 2006. | |
| Eleanor Heartney, "Return to the Real," Art In America, June/July 2005. | |
| Anjali Gupta, "Peter Rostovsky", Tema Celeste; Issue 105, 2004. | |
| The New Yorker, "Peter Rostovsky; Deluge", March 15, 2004. | |
| Max Henry, "Peter Rostovsky; Deluge", TimeOut New York, February 26 – March 4, 2004. | |
| Ken Johnson, "Peter Rostovsky; Deluge", New York Times, March 12, 2004. | |
| Barbara Pollack, "Nature Boy", Time Out New York, June 26 – July 3, 2003. | |
| Luca Beatrice, "Thriller", Flash Art, March 2002. | |
| Paco Bargaran, The Art to Come, Subastas siglo XXI Press, 2002. | |
| Dominic Molon,Vitamin P: New Perspectives in Painting, edited by Barry Schwabsky, Phaidon Press, 2002. | |
| Max Henry, "Peter Rostovsky", Art in America, December, 2001. | |
| Gregory Williams,"Peter Rostovsky", Art Forum, August 2001, p. 196. | |
| Meaghan Dailey,"Peter Rostovsky and Bulent Sangar", Time Out New York, May 2-9, 2001. | |
| i-D, Issue no. 208, 2001 p.208. | |
| Saul Anton,"Glenn Brown, Julie Mehretu, Peter Rostovsky", Time Out New York, June 15-22, 2000. | |
| Holland Cotter, "Glenn Brown, Julie Mehretu, Peter Rostovsky," The New York Times, June 23, 2000. | |
| Mark Warren. "A New Day in Harlem",Esquire, July 2000. | |
| Saul Anton, "The Art World's Best Secret Revealed!",EdificeRex.com, June 14, 2000. | |
| Holland Cotter, "Daniel J. Martinez and Peter Rostovsky",The New York Times, April 9, 1999. | |
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