"Lifelike," Traveling: Walker Art Center, February 25 - May 27, 2012.

New Orleans Museum of Art: November 10, 2012 - January 27, 2013.

Museum of Contemporary Art, San Diego: February 24 - May 26, 2013.

The Blanton Museum of Art, Austin: June 23 - September 29, 2013.

"X-tra," Lesley Heller Workspace, January 30 - February 9th, 2013.

"Permutation 3.3" P! Gallery, April 28 - July, 2013.

   
Born: St. Petersburg, Russia
Education
1995-1996 Whitney Museum Independent Study Program: Studio
1991-1995 B.F.A. Cornell University
1991-1995 B.A. Cornell University
1990-1991 Parsons School of Design
Solo and Two-Person Exhibitions
2011 Peter Rostovsky: Still, Hillwood Art Museum, Brookville, NY.
2010 Parallax: Peter Rostovsky and Paul Winstanley, Contemporary Arts Forum, Santa Barbara, CA
The Prequel, (as PROW with Olav Westphalen,) Sara Meltzer Gallery, New York, NY
ANTI-PROW, (as ANTI-PROW with Olav Westphalen,) Art in General, New York, NY
2009 Peter Rostovsky: Recent Paintings, The University of the Arts, Philadelphia, PA
This Distant World, Sara Meltzer Gallery, New York, NY
2006 Landscape for Another, The Project, New York, NY
2004 Peter Rostovsky, Hudson Showroom, ArtPace, San Antonio, TX
Deluge, The Project, New York, NY
2003 Peter Rostovsky/Kori Newkirk, The Project, Los Angeles, CA
2002 Thriller, Galleria Maze, Turin, Italy
2001 Peter Rostovsky, The Project, New York, NY
Anonymous, James Harris Gallery, Seattle, WA
1999 Peter Rostovsky, The Project, New York, NY
1995 Peter Rostovsky, Olive Tjaden Gallery, Ithaca, NY
Selected Group Exhibitions
2013 Permutation 3.3 (forthcoming), P! Gallery, New York, NY.
X-tra, Lesley Heller Workspace, New York, NY.
2012 Lifelike, traveling, Walker Art Center, Minneapolis, MN; New Orleans Museum of Art, New Orleans, LA; Museum of Contemporary Art, San Diego, CA; Blanton Museum of Art, Austin, TX.
2011 The New Verisimilitude, Francois Ghebaly Gallery and M+B Gallery, Los Angeles, CA.
Creating the New Century: Contemporary Art from the Dicke Collection, The Dayton Art Institute, Dayton, OH.
2010 Skeptical Landscapes, curated by Trevor Richardson, Herter Gallery, University of Massachusetts, Amherst, MA.
Library of Babel / In and Out of Place, curated by Anna-Catharina Gebbers, Zabludowicz Collection, London, England.
Fade to Black, curated by Jeffrey Walkoviak and Rachel Gugelberger, Sara Meltzer Gallery, New York, NY.
Arbitrariness of Signs, curated by Sara Reisman, Momenta Art, Brooklyn, NY.
2009 Do they love their children too?, curated by Olav Westphalen and Felix Gmelin, Milliken Gallery, Stockholm, Sweden.
Multi Media, Waldemar A. Schimdt Art Gallery, Wartburg College, Waverly, IO.
Commune, curated by Dominique Nahas, Black and White Gallery, New York, NY.
2008 Landscapes for Frankenstein, curated by Jeffrey Walkoviak and Rachel Gugelberger, Sara Meltzer Gallery, New York, NY.
WE(as PROW,) curated by Jen Liu, Lizabeth Oliveria Gallery, Los Angeles, CA.
2007 Bilingual, Glass Curtain Gallery, Columbia College, Chicago, IL.
New Collection, a project by Voorkamer, Stedelijk Museum Wuyts-Van Campen en Baron Caroly, Lier, Belgium.
Stranger than Paradise, curated by Max Henry, Gelerie Charlotte Moser, Geneva, Switzerland.
Of the Painted Image: Miriam Cabessa, Seth Cohen, Peter Rostovsky, American Jewish Museum, Pittsburg, PA.
Places, Luxe Gallery, New York, NY.
Divine Find, curated by Lauren Ross, Stonefox Artspace, New York, NY.
Birds, Dwight Hackett Projects, Santa Fe, NM.
2006 American Academy Invitational Exhibit of Painting and Sculpture, American Academy of Arts and Letters, New York, NY
2005 Studio Visit, Exit Art, New York, NY
Dark Places, curated by Joshua Decter, Santa Monica Museum of Art, Santa Monica, CA
Blindness, curated by Valeska Soares, Dwight Hackett Projects, Santa Fe, NM
Expanding Paint/Exceeding Painting, Pratt Manhattan Gallery, New York, NY
Greater New York 2005, PS1 MOMA, New York, NY
2004 Disturbing the Peace, Danese, New York, NY
Lewis & Clark Territory: Contemporary Artists Revisit Place, Race, and Memory, Tacoma Art Museum, Tacoma, WA
2003 Intravention, Museum Amstelkring, Amsterdam, Nederlands
Superreal, curated by Lauri Firstenburg, Marella Contemporenea, Milan, Italy
Grazie, curated by Jan Hoet, Castle Schloss Dyck, Dusseldorf, Germany
Giverny, Salon94, New York, NY
Prague Biennale, Prague, Czech Republic
Nature Boy, Elizabeth Dee Gallery, New York, NY
City Mouse/Country Mouse, Space 101, Williamsburg, Brooklyn
Labor Day, curated by David Hunt, Rare Gallery, NY,
MetroSpective, Public Art Fund, City Hall Park, New York, NY
2002 Painting Against the Grid, ICA Philadelphia, Philadelphia, PA
2001 Maria Elena González, Paul Pfeiffer and Peter Rostovsky,
Gio Marconi, Milan; Galleria Maze, Torino; and Sala Uno, Rome, Italy
Casino 2001, Curated by Jeanne Greenberg and Jan Hoet, SMAK, Ghent, Belgium
Brewster Project, Site Specific Project, Brewster, NY
2000 Halcyon Days: New Commissions from the Public Art Fund, MetroTech Commons Brooklyn, NY
Glenn Brown, Julie Mehretu and Peter Rostovsky, The Project, New York, NY
Rauma Biennale Balticum, Rauma, Finland
Summer Exhibition, Goldman Tevis, Los Angeles, CA
1999 Untold Stories, DeChiara/Stewart, New York, NY
Outer Boroughs, White Columns, New York, NY
Where Are All the People?, DeChiara/Stewart, New York, NY
Paradise 8, Exit Art , New York, NY
1998 warming, The Project, New York, NY
Local color, The Henry Street Settlement, New York, NY
1997 Exchange, 57 Hope Street, New York, NY
Framed, OR Gallery, Vancouver, B.C.
1996 Message Please, Spot Gallery, New York, NY
Unreal, 57 Hope Street, Brooklyn, NY
Substituting 'Raschachismo' for Mimesis, Project Room, Spot Gallery, New York, NY
Summer Carnival, Eighth Floor Gallery, New York, NY
Whitney Independent Study Program Open Studio, Whitney Program, New York, NY
Grants and Fellowships
Percent for Art Commission, 2009
Artists at Giverny Fellowship, 2003
Public Art Fund, 2000
Select Bibliography
Steven Heller, "What's So Bad About Copying? An Art Gallery Scrutinizes Unoriginality," The Atlantic.com, February 7, 2013.
Harper's Magazine, "Findings," Issue NO. 1947, August, 2012.
"Lifelike," Exhibition Catalog, with contributions by Michael Lobel, Josiah McElheny, and Rochelle Steiner, Walker Art Center, Minneappolis, 2012.
Artist Project, "October 15, 2010," Cabinet Magazine, Issue 44, Winter, 2012.
Claire Tancons, "Occupy Wall Street: Carnival Against Capital? Carnivalesque as Protest Sensibility," e-flux, journal #30, 12/2011.
Sara Reisman, "Peter Rostovky: Still," Museum Publication, Hillwood Art Museum, 2011.
Ellie Bronson, "Creating a New Century, Contemporary Art from the Dicke Collection," Catalog, Dayton Art Institute, 2011.
Claire Barliant, "PROW," Artforum, April, 2010.
Aileen Burns, "Prow and Anti-Prow," Art in America Online, March 19, 2010.
Vincent Cimino, "PROW: The Prequel and Jil Weinstock: Mementos at Sara Meltzer Gallery," Gallery Crawl, February 10, 2010.
Eva Diaz, Critic's Picks, "PROW," Artforum.com, February 3, 2010.
Stephen Squibb, "Anti-Prow and The Prequel at Sarah Meltzer and AIG," Idiom Mag, January 26, 2010.
Andrew M. Goldstein, "In New York: Opening this Week," (Prow and Anti-Prow,) Artinfo.com, January 21, 2010.
Trevor Richardson, "Skeptical Landscapes," Exhibition Catalog, Amherst: University of Massachusetts, 2010.
Martha Schwendener, "Peter Rostovsky," The New Yorker, February 9 & 16:18.
Joseph Wolin, "Reviews, New York: Peter Rostovsky." Modern Painters, April: 69.
Hiroshi Tanabe, "Peter Rostovsky," The New Yorker, June 12, 2006.
Eleanor Heartney, "Return to the Real," Art In America, June/July 2005.
Anjali Gupta, "Peter Rostovsky", Tema Celeste; Issue 105, 2004.
The New Yorker, "Peter Rostovsky; Deluge", March 15, 2004.
Max Henry, "Peter Rostovsky; Deluge", TimeOut New York, February 26 – March 4, 2004.
Ken Johnson, "Peter Rostovsky; Deluge", New York Times, March 12, 2004.
Barbara Pollack, "Nature Boy", Time Out New York, June 26 – July 3, 2003.
Luca Beatrice, "Thriller", Flash Art, March 2002.
Paco Bargaran, The Art to Come, Subastas siglo XXI Press, 2002.
Dominic Molon,Vitamin P: New Perspectives in Painting, edited by Barry Schwabsky, Phaidon Press, 2002.
Max Henry, "Peter Rostovsky", Art in America, December, 2001.
Gregory Williams,"Peter Rostovsky", Art Forum, August 2001, p. 196.
Meaghan Dailey,"Peter Rostovsky and Bulent Sangar", Time Out New York, May 2-9, 2001.
i-D, Issue no. 208, 2001 p.208.
Saul Anton,"Glenn Brown, Julie Mehretu, Peter Rostovsky", Time Out New York, June 15-22, 2000.
Holland Cotter, "Glenn Brown, Julie Mehretu, Peter Rostovsky," The New York Times, June 23, 2000.
Mark Warren. "A New Day in Harlem",Esquire, July 2000.
Saul Anton, "The Art World's Best Secret Revealed!",EdificeRex.com, June 14, 2000.
Holland Cotter, "Daniel J. Martinez and Peter Rostovsky",The New York Times, April 9, 1999.
Lectures and Panels
1997 University of Tampa
2000 Maryland Institute College of Art
2001 Rhode Island School of Design
2001 Montclair College
2003 Rutgers University
2005 Museum School of Boston
2005 Tyler School of Art
2006 Moore College of Art and Design
2006 University of Tennessee, Knoxville.
2007 Claremont College of Art
2008 Pratt Institute
2008 Tyler School of Art
2008 CAA Conference, Dallas Texas, (panel co-chaired with Christopher K. Ho), "Painting and Critique in the Age of the Market"
2009 Maryland Institute College of Art
2009 Royal Institute of Art, Stockholm, Sweden
2010 UC Santa Barbara
2010 Virginia Commonwealth University
2011 Long Island University
2011 The Cooper Union School of Art
2011 Royal Institute of Art, Stockholm, Sweden
2011 Bonniers Konsthall, Stockholm, Sweden, (panel) "Image –Capture : Seminar on Painting in a Digital Culture"
2012 Maryland Institute College of Art
2013 CAA Conference, New York, NY, "Assembly Instructions Required: Balancing Structure and Freedom in Studio Classes"
2013 University of the Arts, Philadelphia, PA  
 




Peter Rostovsky
Studio: 87 Richardson St. 4th fl. Brooklyn, NY, 11222
Email: studio@peterrostovsky.com
Portfolio: www.peterrostovsky.com
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